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Tamblyn is just as great as Lane and the two are strong foils. Running parallel to that story is that of Kimberly Campbell (Amber Tamblyn), a conservative author whose father (the former President), husband, and three young sons all died in the event. It’s difficult not to see elements of “Y: The Last Man” as a more heightened example of what would happen in a disaster just a teeny bit bigger than what we’re currently going through. Graffiti litters the streets calling Brown a “liar,” and people wonder what they aren’t being told. It’s in these moments that the series’ true horrors feel keenly like our own. Surrounding her are numerous other women, including a possible Constitutional crisis with another woman who might actually have a stronger claim to the Presidency. Lane’s performance is restrained, unable to reveal an ounce of emotion for her missing children because she knows the fate of the country must take priority. Lane’s Brown isn’t just trying to run a country but also trying to find her children: Yorick and Hero (Olivia Thirlby). Episode 3, beautifully directed by Daisy von Scherler Mayer is enough to make you wonder why we’re looking anywhere else. Lane carries this show, and the series’ best parts are focused on her as well as the numerous women in her cabinet. Some of these are more interesting than others.

The first two episodes are predominately exposition-based, introducing both the characters and multiple arcs that will sustain the season. I know the adage is “behind every man is a woman,” but “Y: The Last Man” illustrates that men have often refused to put a woman behind them at all.

Brown emphasizes how it’s a job where this woman was the only female in the room. There’s a great monologue by Diane Lane, who plays newly minted President Jennifer Brown, speaking to the one woman with the ability to fix the power grid. As Clark herself said during a recent TCA panel, the show illustrates how often men are encouraged to fill high-power jobs while women aren’t. Planes fall out of the sky, while our power grid and water systems are left defenseless. The mass extinction of those with a Y opens up crucial gaps in our infrastructure.

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Based on the gnarled cars sitting motionless in the street, it’s obvious the world has gone through Apocalypse 101. The audience is first introduced to Yorick Brown (Ben Schnetzer) as he’s walking the empty streets of a city with his capuchin monkey, Ampersand. But it’s obvious there’s also dueling desires to please not just newcomers, but fans of Vaughan and Guerra’s text, which makes for an unbalanced beginning.

There’s much to admire with showrunner Eliza Clark’s series, from the numerous stellar acting turns to a fantastic group of directors and the compelling action they craft. Vaughan and Pia Guerra’s graphic novel “ Y: The Last Man.” Initially planned as a feature film in the 2010s, the source material pivoted to a television adaptation that is now airing at a freakishly prescient time. It’s been a long road for Yorick and the rest of the characters in Brian K.